Brides usually arrive with a silhouette in mind and no strong feeling about fabric. By the end of the consultation it is often the fabric conversation that changes the gown the most.

Structure or flow

Fabric falls broadly into two families. Structured cloth such as mikado, duchess satin and taffeta holds a shape, creates clean architectural lines and suits ball gowns and sculptural bodices. Fluid cloth such as crepe, charmeuse and georgette follows the body and suits column and fit and flare shapes.

Cape Town weather is a real factor

A February wedding in Constantia and a July wedding in the Winelands are different garments. Heavy satin with full lining is beautiful in winter and punishing in a heatwave. Silk tulle, light crepe and unlined lace let air move, which matters enormously if you are covered.

Lace is not one thing

Chantilly is fine, soft and romantic. Guipure is heavier, graphic and holds its own shape. Beaded French lace carries weight and needs a supporting structure underneath. The lace you choose changes the whole engineering of the gown.

How it photographs

Matte crepe reads modern and sculptural in photographs. Satin catches light and shows every line, which is stunning and unforgiving in equal measure. Tulle diffuses light beautifully outdoors at golden hour.

Touch it before you decide

We keep swatches in the atelier for exactly this reason. Drape it over your hand, crush it, hold it to the window. A fabric you love to touch is a fabric you will love to wear.